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There was a famous, award-winning, financially successful commercial in 2002, “Lamp,” for IKEA furniture stores. It shows an old desk lamp being removed by its owner from the only home it has ever known, abandoned in the wind to the curbside trash. We see shots of the lamp, alone, in the rain, at night, and shots from the lamp’s perspective of the happy owner and the new lamp, warm and safe inside the house. Then a big Swede standing in the rain next to the lamp says to the camera, “Many of you are feeling bad for this lamp.
Here we see a case where the new stuff in the blend includes not new properties for a seal but in fact a new species that falls into the category of neither human being nor seal. This is standard for a shape-shifter. These are really new ideas. In the selective projection to the blend, the selkie, when out of its coat, has the anatomical parts and proportions of a person but the sleek and lithe movements of the seal. Accordingly, when out of their coats, selkies are sexually irresistible to human beings.
Turning the fallen angels into selkies follows poetic justice: When the fallen angel touched the surface of our mortal plane, it was transformed into a terrestrial species, and the type of species was determined by point of contact: fairies on land, selkies at sea. ” Such a half-magic world is almost never imagined as extending through all the realms of our world. Instead, a half-magic world typically exists as a liminal component of our world. Special people, themselves somewhat liminal, sometimes brush up against these half-magical elements at special places (the seashore, an attic, a castle) at special times (often the past) and when they are in a special state of mind (often childhood).